rent you a house.â
âThe one I saw, right?â
âRight. More important, Iâm going to rent you office space and youâre going to go there every weekday and sit in a little room and pound away until your top secret book is done. You agree to those terms or your golden ticket goes bye-bye.â
Giorgio sits back. The chair is sturdy, but still gives out a little groan.
âNow if you tell me thatâs a bad idea, or even if you tell me itâs a good idea but you canât sell it, weâll call the whole thing off.â
Nick holds up a hand. âBefore you say anything, Billy, I want to lay out something else that makes this good. Everybody on your floor will get acquainted with you, and a lot of other people in the building, too. I know you, and youâve got another talent besides hitting a quarter at a quarter of a mile.â
Like I could do that, Billy thinks. Like even Chris Kyle could.
âYou get along with people without buddying up to them. They smile when they see you coming.â And then, as if Billy had denied it: âIâve seen it! Hoff tells me that a couple of food wagons stop at that building every day, and in nice weather people line up and sit outside on the benches to eat their lunches. You could be one of those people. The time waiting doesnât have to be for nothing. You can use it to get accepted. Once the novelty of how youâre writing a book wears off, youâll be just another nine-to-fiver who goes home to his little house in Midwood.â
Billy sees how that could happen.
âSo when it finally goes down, are you a stranger no one knows? The outsider who must have done it? Uh-uh, youâve been there for months, you make chit-chat in the elevator, you play dollar poker with some of the collection agency guys from the second floor to see who buys the tacos.â
âThey are going to know where the shot came from,â Billy says.
âSure, but not right away. Because at first everyone will be looking for that outsider. And because thereâs going to be a diversion. Also because youâve always been fucking Houdini when it comes to disappearing after the hit. By the time things start to settle, youâll be long gone.â
âWhatâs the diversion?â
âWe can talk about that later,â Nick says, which makes Billy think Nick might not have made up his mind about that yet. Although with Nick, itâs hard to tell. âPlenty of time. For nowâ¦â He turns to Giorgio, aka Georgie Pigs, aka George Russo. Over to you , the look says.
Giorgio reaches into the pocket of his gigantic suit jacket again and pulls out his phone. âSay the word, Billyâthe word being the passcode of your favorite offshore bankâand Iâll send five hundred grand to it. Itâll take about forty seconds. Minute and a half if the connectionâs slow. Also plenty of walking-around money in a local bank to get you started.â
Billy understands theyâre trying to rush him into a decision and has a brief image of a cow being driven down a chute to the slaughterhouse, but maybe thatâs just paranoia because of the enormous payday. Maybe a personâs last job shouldnât just be the most lucrative; maybe it should also be the most interesting. But he would like to know one more thing.
âWhy is Hoff involved?â
âHis building,â Nick says promptly.
âYeah, butâ¦â Billy frowns, putting an expression of great concentration on his face. âHe said thereâs lots of vacancies in that building.â
âThe corner spot on the fifth floor is prime, though,â Nick says. âYour agent, Georgie here, had him lease it, which keeps us out of it.â
âHe also gets the gun,â Giorgio says. âMay have it already. In any case, it wonât be traced back to us.â
Billy knows that already, from the way Nick has been carefulnot