lover. The skin of the tent stretches against her cheek, rippling with slight iridescence. Itâs a striking contrast, Friedmanâs tenderness notwithstanding: the woman, black-âskinned and impenetrable, gazing with icy capped eyes at the naked, utterly vulnerable body of the man. Itâs a lie, of course, a visual metaphor that flips their real roles a hundred and eighty degrees. Friedmanâs always been the vulnerable half of that couple.
âThey say something bit him,â Walsh says. âYou were there, right?â
âNo. We just ran into them outside the lock.â
âShades of Channer, though, huh?â
She shrugs.
Friedmanâs speaking. At least, her mouth is moving; no sound accompanies the image. Clarke reaches for the panel, but Walsh lays a familiar hand on her arm. âI tried. Itâs muted from their end.â He snorts. âYou know, maybe we should remind them whoâs boss here. Couple of years ago, if the corpses tried to cut us out of a channel weâd shut off their lights at the very least. Maybe even flood one of their precious dorms.â
Thereâs something about Friedmanâs posture. People talk to the comatose the way they talk to gravestonesâmore to themselves than the departed, with no expectation of any answer. But thereâs something different in Friedmanâs face, in the way she holds herself. A sense of impatience, almost.
âIt is a violation,â Walsh says.
Clarke shakes her head. âWhat?â
âDonât say you havenât noticed. Half the surveillance feeds donât work any more. Long as we act like itâs no big deal theyâll just keep pushing it.â Walsh points to the monitor. âFor all we know that micâs been offline for months and nobodyâs even noticed until now.â
Whatâs she holding? Clarke wonders. Friedmanâs handâthe one that isnât clasped to her partnerâsâis just below the level of the table, out of the cameraâs line of sight. She glances down at it, lifts it just barely into view â¦
And Gene Erickson, sunk deep into induced coma for the sake of his own convalescence, opens his eyes .
Holy shit, Clarke realizes. She tweaked his inhibitors .
She gets to her feet. âI gotta go.â
âHey, no you donât.â He reaches up, grabs her hand. âYouâre not gonna make me eat all that produce myself, are you?â He smiles, but thereâs just the slightest hint of pleading in his voice. âI mean, it has been a whileâ¦â
Lenie Clarke has come a long way in the past several years. Sheâs finally learned, for example, not to get involved with the kind of people who beat the crap out of her.
A pity she hasnât yet learned how to get excited about any other kind. âI know, Kev. Really, though, right nowââ
The panel bleats in front of them. âLenie Clarke. If Lenie Clarke is anywhere in the circuit, could she please pick up?â
Rowanâs voice. Clarke reaches for the panel. Walshâs hand falls away.
âRight here.â
âLenie, do you think you could drop by sometime in the next little while? Itâs rather important.â
âSure.â She kills the connection, fakes an apologetic smile for her lover. âSorry.â
âWell, you showed her, all right,â Walsh says softly.
âShowed her?â
âWhoâs the boss.â
She shrugs. They turn away from each other.
*Â Â Â *Â Â Â *
She enters Atlantis through a small service âlock that doesnât even rate a number, fifty meters down the hull from Airlock Four. The corridor into which it emerges is cramped and empty. She stalks into more populated areas with her fins slung across her back, a trail of wet footprints commemorating her passage. Corpses in the way stand aside; she barely notices the tightened jaws and stony looks, or even a