visit, we didn’t bother knocking, just opened the door and went straight on in. “Rose!” we called loudly. “Rose!” And soon enough, she appeared on the landing above us, looking down at us with a peculiar glare, icy and distant.
“What are you all doing here?” she asked. Her voice soun ded far away, as if she were speaking through her body, as if her body were thi s thin g that came between her and the rest of the world. Her hand rested on the newel post of the landing, massaging it as she waited.
“We’ve come to help you, darling,” Mary Kay said. We all thought it best that she spoke first.
“I don’t need any help now,” said Rose. “What help would I be needing, Mother? Why didn’t you send Marla Jean like I asked?”
We immediately saw Mary Kay’s resolve fading, so Mr. Adams spoke up. “Dear,” he said. “Come down to us. We’re taking you out of this place. We’re taking you home this very instant.”
Rose cocked her head to the side, though, and slowly shook it. “I don’t think so,” she told us. “I’m a grown woman. I can make my own decisions. And my home is here, thank you very much.”
“Where’s your husband?” asked Mrs. Baker. But Rose didn’t answer. She only looked at Mrs. Baker suspiciously, as if a trap were being set.
“We’re going to help him, too, dear,” said Pastor Merritt. “But we need to get you both to safety. We must ask God to help us now.”
“God?” said Rose, and we shivered. We’d never heard a word so full of goodness said in such a way that it sent chills up and down our spines. “God?” she said again, then started down the stairs toward us. “I haven’t heard Him in a long time,” said Rose. We nodded. We remembered. She hadn’t come to church since she was twelve.
“He is always listening,” said Pastor Merritt. “All you have to do is ask for His help, and He will provide.”
“I don’t talk,” said Rose. “I’m the one who listens.”
We didn’t nod this time. We weren’t sure what to make of what she was saying.
“Enough of this,” said Shell Richards suddenly, and we all, even Rose, looked at her, puzzled by her outburst. “Enough dilly dallying,” said Shell. She stepped right up to Rose, grabbed her arm and said, “You’re coming with us, little girl.”
Mary Kay ran up the stairs to gather a few things for her daughter while Rose fought to free herself from Shell’s grip. “Stop struggling,” Shell warned, but Rose struggled. She slipped, and as she fell buttons poured out of her sweater pockets, scattering across the floor.
Then a scream spilled down the staircase and we knew Mary Kay Billings was in trouble. We abandoned Rose on the floor and rushed up the stairs, one after the other, the steps creaking b eneath us, until we came to the baby’s room with the mural of the orchard painted on the walls and the sky on the ceiling. Mary Kay stood in the center of the room, near the crib, staring apparently at nothing. We followed her stare, and in the mural we saw the Blank boy, Ephraim, sitting in an apple tree, looking out at us. You could tell it was him by the dark eyes and the ruddy cheeks.
We took Mary Kay Billings by the arm and led her back down the stairs then, only to find that Rose had disappeared on us. “Who saw her last?” we asked each other, but no one had stayed with her. We had all gone running to Mary Kay when she called.
We searched the house from top to bottom, shouting for either of them to come to us. “Rose!” we called. “Jonas!” But all we found were buttons, and all we heard were the screams of dead mothers, and all we smelled was the house’s evil circling us like a dark cloud.
We were too late. Our chance had come and we had failed her. The house had taken her and Jonas before we could free them, and so we left, defeated, not bothering to close the door behind us. Let the wind have it, we thought, let the rain flood it, let it all fall down in ruin. For that