Banquet for the Damned
numbs her feet and spears her ankle bones wakes Kerry. She's outside and it's still night. There is a sound of water, swelling and lapping around stone. Peering down, she sees her long white feet, oddly luminous against a black surround. Before her stands a small tower with an iron ladder clinging to it. To her right she hears the power of the sea, rushing in to froth around the pier.
The pier. I'm on the pier. And right down at the end, so far from the shore, with her arms wrapped around her chest. It's freezing and her skin shivers beneath the thin T-shirt and underwear she wears to bed. Stepping from one foot to the other, she tries to make sense of her situation and turns around to see the lights glimmer in the harbour and around the cathedral walls that loom upward to craggy demolished towers and holed façades.
Am I drunk? Am I mad?
And just as she remembers the thing in her room, sitting on her chest, something scrabbles across the wall by the little black tower. She staggers backward, her foot slips and the night sky whirls above her. The sound of the inky sea, heaving down below, becomes deafening.
She shrieks, regains her balance and then hops forward, away from the edge. She looks to the pier wall on the other side, more than a metre thick and raised four feet off the promenade. A memory of edging along it on her first day at university, four years before as a fresher, spills into her mind. She sees herself hugging the wall with friends who giggle, terrified of the unprotected edge so close to her with the sea below it. It had been a dizzy, spinning fear back then, that secretly demanded she hurl herself off and down to the clashing waves.
Must be a dog, she tries to convince herself. A big dog and it's gone away now. Go home, run home, get Sarah. But something is still moving up there. It crawls forward on its front, indistinct but for its length, pressed into the stone.
Kerry begins to sob. She remembers the smell and movements of the thing that groped around her bed and paralysed her muscles. Instinctively, her hands fly up and cover her nose and mouth. It was there in her room, and now it has brought her down to the pier. She will die. It will take her to the edge of the pier and bite her, throw her off, leap after her and hold her head under the cold water. Already, she can feel her lungs screaming, the briny freeze in her mouth, and the long fingers capping her skull and ready to push down.
Kerry screams. In her mind, she can see her own face: a wrinkled tomato-face. What Dad used to call it whenever she had a tantrum as a child. Now she has it again, on her own, down on the pier. Instinct tells her to fall to the floor, to grip the polished stone, worn by pilgrims' sandals, to hold on with all her might and save herself from the edge and the waves that will smash. If it kills her on the pier, she won't have to go over the side and see it follow.
The thing hisses. It scuttles like a crab. The head is dark but something glints inside the oval of its coverings. Images of yellowed ivory and black lips flash through Kerry's mind. Running away is impossible. She knows she lacks the strength, and it's so fast up there, skittering about, before it tenses and makes ready to leap.
'No! Leave me alone. Please!' Kerry screams. Her voice breaks into sobs. She falls to her knees, where the hard stones thump her bones and freeze her thighs. It will get her, swing around her neck, and take her over the side. Raising itself upright on the wall, it hisses with delight.
'Hey!' someone shouts from the shore.
'What the fuck's going on?' another voice bellows, words slurred by drink, the accent local. At the base of the pier, she sees two silhouettes, that run and then bump against each other; the soles of their feet slap in a frenzy, sounding a welcome urgency. On the wall, the thing raises itself to nudge at the air with its mercifully obscured face. Then it glances at Kerry before settling down to its haunches. Rage trembles
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