down the knob, gave herself a quick private recital, then fiddled with the miniature jack-plugs on the Solitaire board for a moment. Finally she turned the knob back up, sighed resignedly, and announced: âOK. Here goes nothing.â The audience ignored her.
Within three bars not a word was being spoken in the crowded room. Glasses paused motionless on their way to lips; chicken nuggets lay congealing in baskets. The room was filled with the sound of clear, ice-cold crystals being struck by an elfin hammer in some subterranean cavern. Suddenly the tawdry artificial surroundings were real, glistening rock.
Auroraâs left hand moved to the control board as if of its own volition, and the sound of a faery choir joined in, swelling and soaring.
At first the electronic notes rose alone, shivering and cascading from the fake icicles hanging from the roof. Then, tentatively, the snare drums struck up a rhythm. At first it sounded crude, clumsy, and out of place, but soon Doug was weaving an intricate tattoo with brushes and cymbals. He beamed with pleasure as he became aware of Leftyâs electric bass tracing a lattice pattern of sound in and out of his own. Gingeâs foot rose and fell on his wah-wah pedal as his old Fender made soft, plaintive sighs such as his fingers had never evoked before. Acker had switched to a flute, producing birdlike trills and arpeggios. As for Herbie, he stood stock-still, mouth wide open, his acoustic guitar trailing from one hand.
As the last few notes dripped from the speakers there was silence. Several women and one or two men were openly crying. Then someone began to clap, hesitantly, and the applause grew into a storm. Aurora blinked, seeming to emerge from a daze, and managed a wan smile. She looked drained.
Lefty seized a microphone and said, stumblingly: âErâthanks. This is, um, Aurora. Give her a big hand, folksâsheâs only been sittinâ in with us tonight. First time in public. But we hope it wonât be the last. Donât we?â He looked over at her pleadingly, his words drowned in cries of âMore!â
The next melody started like a toccata, but as it progressed and the other musicians joined in it became ever more lively and happy. The audience began to participate, clapping and swaying. A few couples began to dance, until the whole room was in motion. Aurora discovered that the quad lever sent her notes swooping and circling around the room from strategically placed speakers. Herbie vanished backstage, and soon two strobe-lights began to flash, one at each side, so that the dancersâ movements seemed jerky and spasmodic, as if they were stiff-jointed puppets or part of a film shown at the wrong speed.
Then, just as the music seemed about to reach a crescendo of joy, there came several jarring discords and Aurora slumped lifeless across the keyboard.
* * * *
Thousands of white-gowned people sat around the huge amphitheater, some with eyes closed, just listening, others watching entranced as the musicians played. Each musician wore his or her instrument lightly, from a cord around the neck or a belt at the waist; yet the sound filled the vast natural crater with its carved seats, and overflowed and spilled into the surrounding countryside.
In the Old Peopleâs village, those who no longer wished to travel beyond their own homes sat outside their domed houses, nodding and smiling with memories of many past MusicFests.
The sky deepened to a beautiful, transparent violet. A golden disc rose. At first it seemed like a moon, but then it evolved into a floating craft. As it rose higher it passed into shadow and darkened, as if in eclipse. On the northern horizon a glow appeared. A bright spark detached itself and ascended into the darkling sky. As Aurora watched, it dimmed to red, brightened briefly, and was obscured by vapor. From the dark disc, anxious eyes stared down at her....
* * * *
Aurora coughed slightly as Lefty
Eleanor Coerr, Ronald Himler