early-morning sky blazed like a theater marquee when seen from 9,000 feet above sea level. But it was the moon that had a ghostly look about it as Luis Marquez stepped from his little wooden frame house. It wore a curious orange halo that he had never seen before. He peered at the odd phenomenon for a few moments before walking across the yard to his 1973 Chevy Cheyenne 4×4 pickup truck.
He had dressed in his work clothes and slipped quietly out of the house so as not to wake his wife and two daughters. His wife, Lisa, would have gladly gotten up and fixed breakfast and a sandwich for his lunch pail, but he insisted that 4:00 A.M. was too early for anyone but a mental case to be roaming around in the dark.
Marquez and his family lived simply. With his own hands, he had remodeled the house that had been built in 1882. His children went to school in nearby Telluride, and what he and Lisa couldn’t buy in the booming resort ski town, they brought home during monthly shopping trips to the larger ranch community of Montrose, sixty-seven miles to the north.
His routine was never complete until he lingered over his coffee and stared around what was now a ghost town. Under the spectral light from the moon, the few buildings that still stood looked like tombstones in a cemetery.
Following the discovery of gold-bearing rock in 1874, miners poured into the San Miguel Valley and built a town they called Pandora, after the Greek fairy tale about a beautiful girl and her box full of mysterious spirits. A banking interest in Boston bought up the mining claims, financed the mine’s operation, and constructed a large ore-processing plant only two miles above the more famous mining town of Telluride.
They’d called the mine the Paradise, and soon Pandora became a small company town of two hundred citizens with its own post office. The houses were neatly painted, with mowed green lawns and white fences, and although Pandora was set in a box canyon with only one way in and out, it was not isolated. The road to Telluride was well maintained, and the Rio Grande Southern Railroad ran a spur line into town to haul passengers and supplies to the mine and the processed ore across the Continental Divide to Denver.
There were those who swore the mine was cursed. The human cost of extracting fifty million dollars’ worth of gold over forty years was high. A total of twenty-eight hard-rock miners had died inside the damp and forbidding shafts—fourteen in one disaster alone—while close to a hundred were maimed for life because of freak accidents and cave-ins.
Before the old-timers who had moved down the road and resided in Telluride died off, they’d claimed that the ghost of one of the dead miners could be heard moaning throughout the ten miles of empty shafts that honeycombed the steep, ominous gray cliffs that rose nearly 13,000 feet into the lazy blue skies of Colorado.
By 1931, all the gold that could be profitably processed from the ore with the aid of chemicals was exhausted. Played out, the Paradise Mine was shut down. Over the next sixty-five years, it became only a memory and a slowly healing scar on the panoramic landscape. Not until 1996 had its haunted shafts and tunnels heard the tread of boots and the clang of a pickax again.
Marquez shifted his stare onto the mountain peaks. A four-day storm had come and gone the week before, adding four feet of snow to the already packed slopes. The increasing air temperatures that accompanied the spring turned the snow into the consistency of mushy mashed potatoes. It was the prime avalanche season. Conditions were extremely hazardous in the high country, and skiers were warned not to wander from the established ski runs. As far as Marquez knew, no major snowslide had ever struck the town of Pandora. He was secure in knowing his family was safe, but he ignored the risk to himself every time he made the drive up the steep icy road in winter and worked alone deep in the bowels of the
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