necessary rigorous attention his plays need, I still sense fundamental truths, humor, and deep eternal perceptions floating by, tantalizingly just out of reach. Or certainly my reach, and certainty, or the lack of it, seems to be the elusive essence of many of his works. As one of the Waiting for Godot characters exclaims: âTo have lived is not enough for themâ¦They have to talk about itâ¦To be dead is not enough for them.â
With all the frenzied forelock-tugging of the metropolitan literatae and Habling-bling bloated reverential piety about Beckett mushing around the city, it was refreshing to read one critic who wrote that âthe centenary celebrations are almost enough to put most off literature for life.â Nevertheless, a Beckettian spirit was definitely flowing through downtown Dublin that Easter week (you could hardly escape posters and banners of his tumultuously wrinkled and time-worn face), characterized by sequences of bizarre non sequiturs.
First came flurries of little girls frolicking by in neon pink, meticulously embroidered costumes and heavily made up, carrying skirt-shaped bags for all their inordinately expensive outfits. They were here for some important Irish step dancing contest (now thanks to Riverdance and clones, an international passion) and accompanied by proud and occasionally stressed-out parents who seemed far more nervous than their tiny, decked-up offspring.
And then came one of Irelandâs oddest ball games. Iâd seen Irish football before and rather liked its odd, rugby-soccer-basketball maneuvers and speedy flow. So different from the lumbering, tough guysâ scrums and touchline tumbles of the traditional rugby games I used to be involved in. But Iâd never seen a hurling match before and sat fixated by the TV in our room, which showed one of the fastest, most bizarre, and seemingly most dangerous games Iâve ever experienced. Harry Potter would love it. Fifteen men a side hurtled by and into one another in seemingly total Hogwartian disarray, flailing long cáman paddle-sticks on which they carriedâyes, carriedâa small white leather ball ( sliotar )âalthough in the truly wild days when the game first emerged I heard it was often a human skull. And then, while running pell-mell, they tossed the ball off the tip of the stick and whacked it with all the force of a top-flight tennis player to another team player fifty yards or more down the field or, if they could, over the posts at the far end of the field to score points.
In minutes I was hooked. The constant frantic pace and ability of the players to avoid regular decapitation by swirling sticks and supersonic-speed sliotars amazed me and left me utterly exhausted by the end of the first half. As a result of watching the game, I fully understood the remark of an elderly gentleman in another of Dublinâs fine Irish pubs, Ryanâs, on Park Gate Street, when he chortled: âAh well, this game and our other ancient village game of âroad bowlingâ explains it all, dâyâsee. You English play cricket, which is a waspocracy gentlemanâs game of patience and fair play, and we do the hurling, which is an ancient bogmanâs game of pure unrestrained, skull-crushing passion. No wonder we didnât get along with you lot for centuries!â
âWellâthanks for explaining thatâ¦â
â Tá fáilte romhat âyouâre very welcome, good sir!â
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F INALLY, WE DROVE SOUTH out of Dublin, leaving behind the tortuously tangled one-way traffic systems; the glorious pure-Irish pubs, and the earthy redolence of fresh-poured pints of thick black stout; the pedestrianized people-powered streets full of music and mirth; the sudden passing vehemence of a tanked-up local calling the whole world âya feckinâ eejitsâ; the cultivated calm of the St. Stevenâs Green gardens; and all the big burly-pillared and porticoed