Arms of Nemesis

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Book: Arms of Nemesis Read Online Free PDF
Author: Steven Saylor
face, warm and stifling like rising steam. I heard the dull, throbbing boom of the drum and the shuffling of many men. I smelled them before I saw them. All the odours that the human body can produce were concentrated in that airless space, rising up like the breath of demons from a sulphurous pit. I took another step downward into a world of living corpses, dunking that the Jaws of Hades could hardly lead to a more terrible netherworld than this.
    The place was like a long, narrow cavern. Here and there lamps suspended from the ceiling cast a lurid glow across the pale naked bodies of the oarsmen. At first, in the dimness, I saw only an impression of rippling movements everywhere around me, like the writhing of maggots. As my eyes adjusted I slowly made out the details.
    Down the centre ran a narrow aisle, like a suspended bridge. On each side slaves were stationed in tiers, three-deep. Those against the hull were able to sit at their stations, expending the least effort to power their shorter oars. Those in the middle were seated higher and had to brace themselves against a footrest with each backward pull, then rise from their seats to push the oars forward. Those on the aisle were the unlucky ones. They ran the catwalk, shuffling back and forth to push their oars in a great circle, stretching onto their toes at full extension, then kneeling and lurching forward to lift the oars out of the water. Each slave was manacled to his oar by a rusted link of chain around one wrist.
    There were hundreds of them packed tightly together, rubbing against one another as they pushed and pulled and strained. I thought of cattle or goats pressed together in a pen, but animals move without purpose. Here each man was like a tiny wheel in a vast, constantly moving machine. The drumbeat drove them.
    I turned and saw the drummer at the stern, on a low bench that must have been just below my bed. His legs were spread wide apart. His knees grasped the rim of a low, broad drum. Thongs were wrapped around each hand, and at the end of each thong was a leather ball. One by one he lifted the balls in the air and brought them down upon the skin of the drum, sending out a low pulse that throbbed through the dense, warm air. He sat with his eyes closed and a faint smile on his face as if he were dreaming, but the rhythm never faltered.
    Beside him stood another man, dressed like a soldier and holding a long whip in his right hand. He glowered when he saw me, then snapped his whip in the air as if to impress me. The slaves nearest him shuddered and some of them groaned, as if a wave of pain passed over them.
    I pressed the blanket over my mouth and nose to filter the stench. Where the lamplight penetrated through the maze of catwalks and manacled feet, I saw that the bilge was awash with a mixture of faeces and urine and vomit and bits of rotting food. How could they bear it? Did they grow used to it over time, the way men grow accustomed to the clasp of manacles? Or did it never cease to nauseate them, just as it sickened me?
    There are religious sects in the East which postulate abodes of eternal punishment for the shades of the wicked. Their gods are not content to see a man suffer in this world, but will pursue him with fire and torment into the next. Of this I know nothing, but I do know that if a place of damnation exists here on earth, it is surely within the bowels of a Roman galley, where men are forced to work their bodies to ruination amid the stench of their own sweat and vomit and excreta, playing out their anguish against the maniacal, never-ending pulse of the drum. To become mere fuel, to be consumed, drained and discarded with hardly a thought, is surely as horrible a damnation as any god could contrive.
    They say most men die after three or four years in the galleys; the lucky ones die before that. A captive prisoner or a slave guilty of theft, if given the choice, will go to the mines or become a gladiator before he will serve in the
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