neighbors had died there tonight. No time to think of that, not now.
Damn, it was hot.
She wondered if Josephâs students would miss him. He had always managed to have a coterie of A.Y.M.s around him. That was one of Kaylieâs secrets, calling them that. An A.Y.M. was an Adoring Young Miss, and many of them had fastened their hungry, barelylost-my-innocence gazes on Professor Joseph Darren.
And why not? He could have been a Made-for-TV English Professor. He taught poetry, was a published poet (mostly through a small local press owned by a childhood friend). All those A.Y.M.s thought he was so sensitive . (Their own boyfriends were sweet but clumsy, and so immature , i.e., not twenty years their senior like Professor Darren.) He was handsome and tall and distinguished looking, with an air of vulnerability about him. Slender but not gaunt. Big, dark, brooding eyes. Long legs. Long lashes. Long, beautiful fingers.
His fingers. Only one of Josephâs poems had been published in the American Poetry Review , and it was Kaylieâs favorite. For some years now, it had been the only one she could stand to read. It was a poem about something that had really happened. It was a poem about the time he righted a fallen chair, the chair beneath his motherâs dangling feet, and stood upon it, then reached up and placed the fingers of one hand gently around her ribs, and pulled her to him, holding her until he could use the fingers of the other hand to free the rope from her neck.
He had shown the poem to Kaylie not long after they met, and told her that his mother had committed suicide one hot summer day. Kaylie could see at once that he was a troubled man who needed her love to overcome this tragedy. Thinking of that poem now, she held her own strong hands out before her. Had she taken him that seriously then? Well yes, at eighteen, the world was a very serious place. At forty, it was serious again.
But the poem had genuinely moved her, and after they were married, she had sent it off to the Review . Joseph had been unhappy with her for sending it in, told her she had no business doing so without his permission, and he was probably right. But in the end, it had been that poem in the Review that got him the teaching job.
Josephâs talk of his travels around the world had pulled at her imagination. He had travelled a great deal after his mother died. His father had passed away the summer before, and there was an inheritance from that side of the family that he came into upon his motherâs death. Joseph told her of places he had been, of Europe and Northern Africa and India. She had pictured the two of them travelling everywhere: riding camels on the way to the Pyramids, backpacking to Machu Pichu.
But after they married, he didnât want to go anywhere. He had satisfied his wanderlust, it seemed. When she complained about it, he gave her a long lecture about how immature it was of her to want to trot all over the globe, to be the Ugly American Turista . Those other people didnât want us in their countries, he told her. Besides, he couldnât travel: he had to get through graduate school.
So she washed his clothes and darned his socks and typed his papers instead of riding camels. One of her friends was almost a feminist and told her she shouldnât do things like that for him. But her almost feminist friend was divorced not long after that, and, as Joseph asked Kaylie when he heard of it, didnât that tell her something? Soon she stopped having anything to do with the woman, because Joseph told Kaylie that the woman had been coming on to him. Now, she wondered if it was true.
There had been years of small deceptions, she knew. He had seemed so honest in the beginning. She had misunderstood the difference between baldly stating facts and being honest. On the night he told her about his mother, he also told her about his daughter, Lillian. He said he loved Lilly, but he didnât marry
Jeffrey Cook, A.J. Downey