ancestors used to say.
âWhy do you hate being attracted to me?â he asked, turning the tables on her.
âNot because youâre Apache. I donât let someoneâs race get in the way.â
âThen what is it?â
âIâm not sure. Maybe itâs the way you make me feel. All hot and jumbled. Not like myself.â
âYou do that to me, too.â
âI know.â She grabbed her gym bag. âBut Iâm not interested in training with you anymore.â
âSo thatâs it? Weâre done?â He shouldnât care. It shouldnât matter. But it did. The thought of losing her clenched his gut. He didnât want her to disappear.
Yet when she left, when she walked away, he let her go, unable to admit that the choice heâd made was based on prejudice.
Â
At 9:00 p.m. Kyle walked through the courtyard of Joyceâs apartment building. She lived in a large complex, with flourishing flower beds, lush greenbelts and winding hardscape.
He approached the sidewalk that led to her stairwell and frowned at the path in front of him. Heâd called Olivia and asked her for Joyceâs address, and now he was taking reluctant steps to her door.
Heâd never apologized to a woman before and the notion of saying âIâm sorryâ was making him squeamish. Heâd rather be tortured, stretched on a medieval rack with metal thumbscrews on his hands and an iron mask on his face.
Then what was he doing here?
He ignored the question and started up the stairs. Her unit, D-2, was on the right. On the left was D-4. Both doors displayed Halloween decorations. Joyce had chosen a glow-in-the-dark skeleton, a friendly looking fellow who mocked him with a toothy grin.
He knocked on D-2 and waited for her to answer. She didnât respond. So he knocked again, harder this time. He knew she was home. Heâd seen her car in the parking structure and if he listened close enough, he could hear strains of one of those crime scene investigation shows on her TV.
As if she didnât get enough of that in real life.
Finally footsteps sounded. But she didnât openthe door. He assumed she was peering through the peephole to see who was standing on her second-story stoop.
He made a face, letting her know that he felt like a fool, keeping company with a plastic skeleton. Lucky for him, the Halloween decoration wasnât obstructing her view.
Or maybe it was unlucky. She still didnât answer.
âCome on, Joyce. Let me in.â
Nothing. Nada.
âI didnât even bring a gun.â He stepped back and turned in a small circle.
Still nothing.
He cursed and removed the skeleton. âCheck this out.â He waltzed with the bony creature, making its legs dangle. âI bet you didnât know I could dance.â
Suddenly a door opened. But it wasnât Joyce. Still romancing the skeleton, he turned around and made eye contact with her neighbors, an elderly couple staring at him as if heâd lost his mind.
âEvening,â he said, switching to a tango and dipping the neon bag of bones.
They continued gaping at him. The old man was as bald as a billiard ball and his wife had a neck like a turkey. Kyle figured theyâd been married for at least a hundred years.
âWhat are you doing?â the man finally asked.
âTrying to make Detective Riggs swoon.â He usedthe skeletonâs hand to gesture to his loose-fitting shirt, snug jeans and battered moccasins. âCanât you tell? Iâm a regular Romeo.â
âHeâs crazy,â the woman murmured.
âIâll bet heâs an undercover cop.â The husband gave his six-foot-four frame a serious gander. âHeâs just the type.â
Without another word, they closed the door in his face, assuming he was one of Joyceâs offbeat peers. Kyle didnât know whether to laugh or defend his own pathetic honor.
âI see you met Mr.
Elizabeth Amelia Barrington