He was behind the wheel and alone; he got out and strode toward me with that sideways John Wayne walk of his. Maybe, like Mother, he had bunions.
Whatever the case, in that tan uniform, the sheriff made a tall, commanding figure, graying just a little at the temples. The walk wasnât the only thing that made Mother wistfully comment, from time to time, that Rudder reminded her of the middle-aged Duke.
The sheriff planted himself in front of me like a big oak tree. âWhatâs this about a murder that your motherâs going on about?â
âCall it a suspicious death.â I wasnât ready to commit to the m word yet. âMillicent Marlowe collapsed, while showing mother around. Miss Marlowe owns, or owned, this theater.â
Rudder frowned in recollection. âI believe I know her, or anyway met herâolder woman? Why werenât the paramedics called?â
âMother wanted you to see her first.â
He sighed. âShe does have her own way of doing things. Damnit, this better not be a waste of timeâIâm short-handed as it is. Where is she?â
âMother?â
âThe dead woman.â
âOn the stage.â
âAnd your mother?â
âOn the stage.â
Rudder winced.
Just before we moved inside, he asked, âWhat are you and Vivian doing here, anyway? Arenât you two a little ways off your beat?â
Briefly, I filled him in.
With Sushi in my arms, I had to hustle to keep up with the lawmanâs long stride as he crossed the lobby. Entering the auditorium, Rudder was met by an agitated Chad, whoâd come rushing up the center aisle.
âSheriff,â he said, as if making a point in an already long under-way argument, âmy grandmother died from a heart attack, and thatâs all there is to it!â
Rudder held up a traffic-cop palm. âLetâs back it up, son, and start with your name.â
âChad Marlowe. Artistic director of the theater. As I said, Millicent is, was , my grandmother.â
The sheriffâs eyes traveled past Chad to the stage, and the small form covered by the blanket. âSorry for your loss. Please take a seat down front, Mr. Marlowe.â
Rudder stepped around Chad and proceeded toward the stage. I followed with Sushi.
From the stage, Mother called, â Sheriff Rudder! Iâm so very pleased to see you. Weâre so fortunate you were in the neighborhood.â
This greeting was met with stony silence as the sheriff ascended the steps and went to the body, then squatted in front of it to slowly pull back the blanket. He checked the womanâs throat for a pulse.
After a moment, he looked up at Mother. âWell, Vivian, youâre correct that this woman is deceased . . . but what was the idea of calling me to the scene?â
âIsnât it obvious? Look at her arms, Sheriff.â
Taking Millieâs nearest arm, Rudder noted the pushed-up sleeve of the red sweater, revealing a large purple area.
Rudder sighed, then stood. âHematoma.â
Chad, in the front row, asked, âWhat did you say?â
Before the sheriff could reply, Mother did, calling out helpfully, âHematoma, dear! Symptom of an overdose of blood thinner medication.â
Fred, who had been standing motionless near the stage-left wing, chimed in: âDang it, anyway. Millie probably lost track of how much medication she took.â
Rudderâs head swiveled, as if noticing the man for the first time, though I knew very well that the sheriff had taken everything in already. âAnd you would be?â
âFred Hackney. Carpenter, general handyman around here. I make the sets and props.â
Rudder approached him. âAnd your opinion that the woman overdosed herselfâthatâs based on what exactly?â
Fred began studying his feet to avoid Rudderâs stare.
âWell, sir, Iâve noticed that Millie hasnât been as . . . you know, sharp lately.
David Stuckler Sanjay Basu
Aiden James, Patrick Burdine