rubadub â adubadub, with the silencer out. Towards the most romantic city in all the world.
When he spoke to women â how easily and insolently he spoke now! â they listened and laughed and looked at him sideways and dropped their eyelids over the admission, the invitation, of their glance. With Phyllis once he had sat, for how long? in a warm and moonless darkness, saying nothing, risking no gesture. And in the end they had parted, reluctantly and still in silence. Phyllis now was with him once again in the summer night; but this time he spoke, now softly, now in the angry breathless whisper of desire, he reached out and took her, and she was naked in his arms. All chance encounters, all plotted opportunities recurred; he knew, now, how to live, how to take advantage of them.
Over the empty plains towards Mantua, towards Mantua, he slid along at ease, free and alone. He explored the horrors of Roman society; visited Athens and Seville. To Unamuno and Papini he conversed familiarly in their own tongues. He understood perfectly and without effort the quantum theory. To his friend Shearwater he gave half a million for physiological research. He visited Schoenberg and persuaded him to write still better music. He exhibited to the politicians the full extent of their stupidity and their wickedness; he set them working for the salvation, not the destruction, of humanity. Once in the past when he had been called upon to make a public speech, he had felt so nervous that he was sick; the thousands who listened to him now bent like wheat under the wind of his eloquence. But it was only by the way and occasionally that he troubled himself to move them. He found it easy now to come to terms with everyone he met, to understand all points of view, to identify himself with even the most unfamiliar spirit. And he knew how everybody lived, and what it was like to be a mill-girl, a dustman, an engine-driver, a Jew, an Anglican bishop, a confidence-trickster. Accustomed as he was to being swindled and imposed upon without protest, he now knew the art of being brutal. He was just dressing down that insolent porter at the Continental, who had complained that ten francs wasnât enough (and had got, as a matter of historic fact, another five in addition), when his landlady gave a knock, opened the door and said: âDinnerâs ready, Mr Gumbril.â
Feeling a little ashamed at having been interrupted in what was, after all, one of the ignobler and more trivial occupations of his new life, Gumbril went down to his fatty chop and green peas. It was the first meal to be eaten under the new dispensation; he ate it, for all that it was unhappily indistinguishable from the meals of the past, with elation and a certain solemnity, as though he were partaking of a sacrament. He felt buoyant with the thought that at last, at last, he was doing something about life.
When the chop was eaten, he went upstairs and, after filling two suit-cases and a Gladstone bag with the most valued of his possessions, addressed himself to the task of writing to the Headmaster. He might have gone away, of course, without writing. But it would be nobler, more in keeping, he felt, with his new life, to leave a justification, a denouncement. He picked up his pen and denounced.
C HAPTER II
GUMBRIL SENIOR OCCUPIED a tall, narrow-shouldered and rachitic house in a little obscure square not far from Paddington. There were five floors, and a basement with beetles, and nearly a hundred stairs, which shook when any one ran too rudely down them. It was a prematurely old and decaying house in a decaying quarter. The square in which it stood was steadily coming down in the world. The houses, which a few years ago had all been occupied by respectable families, were now split up into squalid little maisonettes, and from the neighbouring slums, which along with most other unpleasant things the old bourgeois families had been able to ignore, invading bands of