you’ve nailed it.” She was clapping as she spoke, and when the audience actually rose to their feet we joined them.
The girl curtseyed and was given a bouquet of roses by one of the earlier students still in costume. They kissed cheeks and then the ballerina took two of the long-stemmed roses out of her bouquet and handed them to Jason. He came forward, took the roses, kissed her hand, and then she insisted on bringing him forward so they bowed together. I didn’t need anyone to explain to me that Alicia was showing that she knew she could not have wowed the audience without Jason’s help.
He was beaming, eyes glowing, even as his chest still rose and fell from the effort of lifting and throwing her, and making it all look pretty and effortless.
J.J. said, “I don’t envy who goes next.”
I agreed and was glad it was a senior girl by herself. I didn’t want to see one of our own guys compete with what we’d just seen. It seemed like a damned hard act to follow.
The senior girl was good, but she wasn’t as good, and I sympathized that here at her last performance she had to know she wasn’t going to nail it. I think that would feel bad.
But the next senior girl had Nathaniel Graison listed as her partner, and I actually found myself leaning forward on my seat. It was no longer about just the performance but how Nathaniel would feel after seeing Jason onstage. They were best friends and not competitive in that typical guy way, but still, Nathaniel was my other live-in sweetie and I was a little worried. Nathaniel, unlike Jason, had never been in dance class other than with Jason taking him. He’d been on the streets before age ten, and it had gone downhill from there. Nathaniel had been a prostitute, porn star, still was an exotic dancer, so he’d performed before, but not like this.
Micah’s hand was tense in mine, and we exchanged a glance. Micah said out loud, “He’ll be fine.” But simply by his saying that, I knew he was worried, too. I realized it was more than just being in love with Nathaniel; because of his horrendous childhood we felt almost parentally anxious. It sounded stupid, but he’d never had a chance to be one of the little toddlers in their costumes seeing the parents smile. He’d missed so much as a child, and in a way this was him trying to experience some of what he’d missed. He hadn’t expressed any stage fright about tonight. It was all just my nerves and Micah’s apparently.
Nathaniel entered the stage hand in hand with his ballerina. The girl wore a filmy white gown around her white leotard so that it had the look of white and silver rags, elegant rags, and moved around her as though it were breathing. He wore white tights but his shirt was of rougher material and loose around his upper body, even open at the neck. His shoulders looked amazingly broad, and the rest of him looked even better in the white tights, but that might have just been me. His ankle-length auburn hair was up in a bun at the nape of his neck. The ballerina’s blond hair was cut short and flattened around her face like lace. From this far out in the audience his lavender eyes looked blue.
The music began and though it was ballet it was a very different kind. Jason and his ballerina had been about physical movement in space; they’d been flashy and technically great, but now we saw the difference. This ballerina and Nathaniel told a story. I didn’t know the music and didn’t need to, because they told the story with their bodies, their faces, and their hands. It was graceful and beautiful and they acted. It wasn’t just dance, it was theatre.
It was a tale of lovers lost and found, and of some great tragedy. Nathaniel held her, but it was soft holding, as if their bodies melted into each other, and their gaze made the audience watch their hands as they rose above their heads so that those entwining arms, hands, fingers, seemed terribly important.
I’d known Nathaniel could dance, but as I
Elizabeth Amelia Barrington