shelving plus two lockable wooden drawers which she referred to as her filing cabinet. In the top drawer resided the paper shells of all the men who had been inmates of ward X since its inception, not very many files altogether; she had kept carbon copies of the men who had been discharged from the ward. In the second drawer she kept the few drugs Matron and Colonel Chinstrap deemed necessary for her to have on hand—oral paraldehyde and paraldehyde for injection, phenobarb, morphine, mist APC, pot cit, milk of magnesia, mist creta et opii, castor oil, chloral hydrate, sterile water, placebos, and a large bottle of Chateau Tanunda three-star hospital brandy.
Sister Langtry took off her slouch hat, her gaiters and her army boots, and stacked them very neatly behind the door, then tucked the little wicker basket in which she carried her few personal requirements while on duty beneath her desk and put on her sandshoes. Since Base Fifteen was in an officially designated malarial zone, all personnel were obliged after dark to clothe themselves from wrists to neck to toes, which in a miserable heat made life just that bit more miserable. In actual fact, copious spraying with DDT for miles around had rendered the anopheles threat almost nonexistent, but the rule about after-dark apparel still held. Some of the more emancipated nurses wore their grey bush jackets and long trousers during the day as well as after nightfall, vowing that skirts had never been so comfortable. But those like Honour Langtry who had spent most of the war in casualty clearing stations where trousers were mandatory preferred amid the relative luxury of Base Fifteen to wear a more feminine uniform when they could.
Besides, Sister Langtry had a theory. That it did her patients good to see a woman in a dress rather than in a uniform akin to their own. She also had a theory about noise, removed her own boots when she entered the ward after dark, and forbade the men to wear boots indoors.
On the wall behind the visitor’s chair a collection of pencil portraits was pinned, about fifteen in all: Neil’s record of the men who had passed through ward X in his time, or were still residents of ward X. When she looked up from her work she stared straight at that most revealing pictorial record; as a man moved on elsewhere his sketch was removed from the central row and placed more peripherally on the wall. At the moment there were five faces in the central row, but there was more than enough room for a sixth. The trouble was she hadn’t counted on a sixth face appearing, not with time for Base Fifteen rapidly dwindling, the war over, the sound of the guns stilled. Yet today Michael had arrived, a fresh subject for Neil’s piercing eye. She wondered what Neil would see in Michael, found herself looking forward to the day when the result of that eye would be pinned up opposite her.
She sat down in her chair and put her chin on her hand, staring at the central row of drawings.
They’re mine, she caught herself thinking complacently, and pulled herself sharply away from that most dangerous concept. Self, she had discovered since being in X, was an unwelcome intruder, of no help to the patients. After all, she was, if not the arbiter of their final destinies, at least the fulcrum of their sojourns in X. In that lay considerable power, for the balance of X was a very delicate thing, and she was the one who stood at the point where it could tip either way, ready to shift her weight as needed. She tried always to respect her power by not using it and not dwelling upon it. But just occasionally, as now, awareness that she did possess it popped into consciousness and stared her a little too smugly in the eye. Dangerous! A good nurse should never develop a sense of mission, nor delude herself that she was the direct cause of her patients’ recovery. Mental or physical, recovery came from within the patients.
Activity was what she needed. She got up, unearthed the tape