an Episode in the Life of a Landscape Painter Read Online Free PDF Page B

mixing them with water and milk, patiently feeding the horses with this paste, waiting a few hours for them to calm down and setting off again in the cool of the evening. For Rugendas, this plan was so absurd it did not even merit discussion. He proposed something a little more sensible: heading off at a gallop to see what was on the other side of the hills. Accustomed to reckoning distance in paintings, they misjudged the remoteness of those little mountains; in fact they were almost among them already. So the vegetation on their slopes had probably not been spared by the mobile feast. They consulted the guide, but could not get a word out of him. All the same, it was reasonable to suppose that the hills had served as a screen to deflect the swarm, so if they went around to the other side they would find a field with its full complement of clover leaves. Rugendas already had a plan: he would ride south to the hills, while his friend would ride north. Krause disagreed. Given the state of the horses, he thought it reckless to make a dash. Not to mention the storm that was brewing. He categorically refused. Tired of arguing, Rugendas set off on his own, announcing that he would be back in two hours. He spurred his horse to a gallop and it responded with an explosion of nervous energy; horse and rider were drenched with sweat, as if they had just emerged from the sea. The drops evaporated before they hit the ground, leaving a wake of salty vapor. The grey cones of the hills, on which Rugendas fixed his gaze, kept shifting as he rode on in a straight line; without becoming noticeably bigger, they multiplied and began to spread apart; one slipped around behind him surreptitiously. He was already inside the formation (why was it called El Monigote: The Puppet?).The ground was still bare and there was no indication that there would be grass ahead, or in any direction. The heat and the stillness of the air had intensified, if that was possible. He pulled up and looked around. He was in a vast amphitheater of interlayered clay and limestone. He could feel the horse's extreme nervousness; there was a tightness in his chest, and his perception was becoming abnormally acute. The air had turned a lead-grey color. He had never seen such light. It was a see-through darkness. The clouds had descended further still, and now he could hear the intimate rumbling of the thunder. "At least it will cool off," he said to himself, and those trivial words marked the end of a phase in his life; with them he formulated the last coherent thought of his youth.
    What happened next bypassed his senses and went straight into his nervous system. In other words, it was over very quickly; it was pure action, a wild concatenation of events. The storm broke suddenly with a spectacular lightning bolt that traced a zig-zag arc clear across the sky. It came so close that Rugendas's upturned face, frozen in an expression of idiotic stupor, was completely bathed in white light. He thought he could feel its sinister heat on his skin, and his pupils contracted to pin-points. The thunder crashing down impossibly enveloped him in millions of vibrations. The horse began to turn beneath him. It was still turning when a lightning bolt struck him on the head. Like a nickel statue, man and beast were lit up with electricity. For one horrific moment, regrettably to be repeated, Rugendas witnessed the spectacle of his body shining. The horse's mane was standing on end, like the dorsal fin of a swordfish. From that moment on, like all victims of personalized catastrophes, he saw himself as if from outside, wondering, Why did it have to happen to me? The sensation of having electrified blood was horrible but very brief. Evidently the charge flowed out as fast as it had flowed into his body. Even so, it cannot have been good for his health.
    The horse had fallen to its knees. The rider was kicking it like a madman, raising his legs till they were almost vertical, then closing them