and then come back. He usually read the beginning of an article and could tell if it was worth going on. But, by page five of âPiper Blues,â Noel knew he was in for the duration. A simply shaped story, it told of Jimmy Piper, who decided to drive from Spokane to Detroit, taking only the blue highways William Least Heat-Moon had described in his wonderful book of that titleâthe back roads that connected rural America. Piper owned a VW van, which heâd named Henry Hamlin, vintage 1988, painted many colors, and he was a first-rate mechanic. He also picked up hitchhikers. The first, a little old lady who was ready to go anywhere; she had no fixed destination. The second, a guy in his thirties who maybe was, maybe wasnât a bank robber. Three and four were runaways, a boy and a girl in their mid-teens. Soon the VW was carrying nine passengers of assorted ages and genders, including a man who called himself a driven transsexual. And they all adored Jimmy Piper, who would talk with them about whatever they thought ailed them. A few basic interactions among the passengers, from fighting to fucking. By the time Henry Hamlin reached Detroit, the lives of many of the passengers had been transformed, five for the better, two for the worse, the other two immutable. âFive to two ainât a bad ratio,â said Jimmy in the last paragraph.
Noel sat back. Moving and intelligent, âPiper Bluesâ showed a self-confidence not present in the essays. Noel could see Peterâs dilemma. He looked out the window. Twilight. Well, Beckâs or whoeverâs writing was compelling. Noel had gotten lost in those hundred pages. Someone had turned on the overhead light. Noel stood and went to the door. Across the hall, lights on in another office. From it came Peterâs voice, âMy, but youâre a slow reader.â
Noel crossed the hall and glanced in. Peter had made himself at home behind someone elseâs desk. âYour office away from your office?â
Peter chuckled. âA colleagueâs. We have each otherâs keys. In case we need a place to hide. So. Whatâd you think?â
âI think I understand your problem. Itâs a terrific piece of writing. The essays are clever but they donât match up. Either Mr. Jordan Beckâs art has matured substantially, or the novella isnât his.â
âYeah, you see what Iâm dealing with.â
âTell me more about Beck.â
âDonât know a lot. He came to Morsely over a year ago, we had two of those two-week sessions, over the year he sent me the essays you read plus nine others, then he decided to come to San Juan for the summer to write the novellaâheâd made notes and an outline. He gave it to me two weeks ago.â
âDoesnât he expect a reaction? A grade?â
âI donât have to grade him till the end of September. Iâve told him Iâll get to it as soon as I can.â
âHeâs still on San Juan?â
âHeâs got a job at a restaurant, and I think heâs got a girlfriend on the island.â
Noel nodded. âI better talk to him.â
âSure. But you canât let him know I suspect him of plagiarism.â
âCourse not. Mind if I copy the essays and novella onto my memory stick?â
âI donât. But Beck might.â
âYou going to tell him?â
âNo. Whatâre you thinking?â
âI had an idea.â
âYeah?â
âIâll tell you. But what about that beer you offered me?â
Kyra had waited two hours for Fred Wisely and the woman to leave Lewâs. Three separate cop cars passed her where she had parked, nonchalantly reading the Bellingham Herald four times from banner to TV listings; sheâd learned every available detail about the Targon rape case and today couldâve watched seven different episodes of Law & Order if she werenât tied up in this bitch of