pleasantly, and she began to laugh and offer playful resistance as the animal nudged at her more and more forcefully, until she suddenly felt something else just as live touching her earlobe from behind and breathing into it. She looked around and was petrified with fear. Yellow-furred Ahriman stood right up beside her, eagerly competing with the gazelle in expressions of kindness. She fell backwards, barely landing on her hands. She couldn’t scream and she couldn’t get up. Her eyes full of fear, she stared at the long-legged cat and waited for it to leap at her. But evidently Ahriman had no intention of attacking. Soon he began to ignore her completely and tease the gazelle, catching it by the ear or craning with open jaws toward its neck. They had to know each other well and were obviously friends. Halima regained her courage and put an arm around each animal’s neck. The leopard started to purr and knead like an ordinary housecat, and the gazelle put its tongue against her face again. Halima fawned on them with the sweetest words. She couldn’t grasp how a leopard and a gazelle could be friends in this world when the Prophet had said that Allah was reserving that miracle for the inhabitants of paradise.
She heard her name being called. She arose and went in the direction of the voice. Ahriman padded along behind her. The gazelle kept himcompany, periodically ramming into him like a baby goat. He didn’t pay much attention to it, only from time to time snapping at its ear.
Her companions were waiting for her and told her it was time for a dance lesson. They tied her hair up on top of her head and led her into the glass hall.
Their dance teacher was a eunuch named Asad, a young man of average height with smooth cheeks and supple, almost feminine limbs. He was a dark-skinned African, but not as black as Adi. Halima thought he was cute and silly at the same time. When he came in, he took off his long cloak and stood before them in nothing but his short yellow trousers. He bowed slightly with a gracious smile and contentedly rubbed his hands. He called on Fatima to play the harp, and at the sound of the instrument began to twist and turn expertly.
His art consisted mostly of an expressive belly and a strong command of his muscles. Flourishes with his hands and feet were little more than a rhythmic accompaniment to the movements of his belly. First he showed how it was done, then the girls were supposed to try it after him. He ordered them to take off their halters and bare themselves to the waist. Halima was embarrassed, but when she saw how casually the others undressed, she readily followed them. He designated Zuleika as the lead dancer and placed her in front of the rest. Then he sent Fatima to assume her place, and he took a long, thin flute and began to play.
It was only now that Halima began to notice Zuleika. She undoubtedly had the most beautiful figure of any of them. She was first in dancing and Asad’s assistant at lessons. Whatever he wanted she performed with precision, with the others imitating her. Flute in hand, he went from one girl to the next, expertly evaluating the agility and movement of their muscles, correcting them and showing how it was done.
After the lesson Halima was tired and hungry. They went out into the gardens, but they couldn’t go far, because they had another subject coming up—verse making. Halima complained to Sara that she was hungry. Sara showed her where to wait for her, then slipped into the building and came back in a short while. She put a peeled banana in Halima’s hand.
“We’re not allowed to eat between meals. Miriam is very strict about that, because she’s afraid we’ll get fat. She’d punish me for sure if she knew I’d given you anything.”
Halima had never heard of anyone not being allowed to eat just so they wouldn’t get fat. Just the opposite. The fuller formed a woman or a girl was, the more she was praised, so she hardly welcomed Sara’s news.