something that might give the church away â but there was only the clank of the conveyor belt and the dull whining of flies in the midday heat. She let her breath out fast and spat into the dust so hard it bounced.
âYou want tortillas?â
He nodded.
âCoffee?â
âYes.â
Wilson heard voices chattering behind him. He looked round. Six ofthe Vum Buá girls were waiting by the date palm, two of them naked but for twenty-pound flour-sacks with holes for arms. One was swamped by a grown womanâs dress; it wrapped around her twice and trailed in the dirt. Another held a dead fish by the tail.
Mama Vum Buá had eight daughters, none of whom had yet reached womanhood. They had dark eyes and funny, jagged teeth, and their black hair was tied back with dried kelp or fishing twine or bits of frayed rope. They had Indian names that were so long and unpronounceable that he had christened them First, Second, Third, etc., according to their height. Every time he sat down to his breakfast, they would sidle up and twist themselves around the nearest trees or chairs like ribbons, their eyes all wide and shiny. Sometimes he would entertain them with coin tricks he had picked up from a retired gunslinger in El Paso. Other times he would bring his guitar along. While he waited for his coffee to cool he would sing them songs in his tuneless voice, songs about broken hearts and America and fields of gold. Since they could not understand the words, it did not matter what he sang about, though he would never sing anything that contained obscenities. This morning he planned to tell them about a man who was so dumb that he tried to leave the second floor of a house without using the stairs. He could already hear their ancient, cracked laughter as he traced his descent in the air with his hand.
He was still wondering how to begin the story without mentioning vice of any kind when he noticed a small crowd gathering on the quay. He recognised Monsieur de Romblay, the Director of the mining company. He could also see a group of Indians, dressed in white shirts and clean breeches. They were clutching a variety of pipes and drums and whistles. It looked as if Monsieur de Romblay had come down to the waterfront, along with certain other select members of the French community, to meet the boat that had docked that morning. It was a welcoming party, and there would be music.
âTell us about your foot, mister.â
Wilson turned to the girls. âWhat?â
âTell us what happened to your foot.â
His eyes drifted back towards the quayside. Two figures had just appeared on deck. A man and a woman, her arm linked through his. The band struck up a tune that Wilson did not recognise, and the two figures began to move down the gangway. The man wore a Panama hat and a black frock-coat. The woman wore a yellow dress that belled out into the air below her waist, and her parasol balanced at a jaunty angleon her shoulder. He wondered who they could be. Were they someoneâs relations? Could they be royalty? He leaned back in his chair. One thing, at least, was clear: they were French.
âCome on, mister. Tell us what happened.â
His foot ached inside the plaster cast. His shoulder ached too. He did not feel well. But he could not take his eyes off the scene that was unfolding on the quay. The man and woman had climbed into an open carriage, with Monsieur de Romblay in attendance. A whip arched and snapped. The carriage sprang forwards. Wilson suddenly saw that it would have to pass within a few feet of the table where he was sitting.
As the carriage approached, he straightened in his chair and, taking hold of his hat by the crown, lifted it into the air. The womanâs head turned at that moment and she saw him. Her eyes were green, the shape of leaves. They seemed to be resting on her face; if the wind came, they might blow away and then she would be blind. She smiled, as if to reassure him, and