whose material here-and-now is abundantly affected by decisions made very far in the past.
âOkay, so.â I try to push away the image in my mind of Momma handing Suzanne this book. The way Momma must have looked in 1977 when Suzanne was twelve and I was eight. Momma would have been wearing a crisp linen dress, no doubt, with small heels, just like any other normal day in her life, never imagining that in a little less than two decades, her life would brutally end. âWhat kind of flower?â
âLily of the valley. Theyâre white.â
âRight, white.â I take the prayer book back, and as I turn it over in my hands, the coolness of the kid leather comforts me. It smells like Momma. That keen, rich scent that permeated the air when I was a child as sheâd hold my face in her gloved hands to kiss me goodbye before she and Daddy went out to parties and balls.
âThat would look great, Suzanne. Just a simple spray behind the book, even cascading over a little, but not covering the front.â I move one hand around in the air, trying to illustrate tiny flowers cascading down. Then another scent wave of Momma hits me, so I quickly give the volume back to Suzanne.
âGood, thatâs what I thought, too.â She walks through the maze and puts the prayer book away in a cabinet drawer. I half expect her to lock it up and swallow the key. âYouâre great with this stuff.â
âSo are you.â
âCoffee?â Suzanne is already leaving the room. âAnd howâs my veil coming along? I need to see it soon, the weddingâs in just eight weeks, for Godâs sake.â
âGreat, itâs great, almost done. Just the detail work left on it now.â
I am secretly thrilled to be alone. The objects on her coffee table are astounding, the buried treasure of some dreadfully fabulous betrothal dream come to life: garters and albums and place cards and champagne flutes and a heart-shaped ring pillow with a smaller heart in the middle.
âIt means a lot to me that youâre doing it,â Suzanne shouts from her kitchen, as I pick up the pillow to examine it. âIf Iâve learned one thingfrom Mattâs family, itâs that they show up for each other, and I want you to hear that I really appreciate you showing up for me.â
I notice that âSuzanneâ and âMatthewâ are embroidered in cursive script on the white satin pillow next to ribbons that will hold their rings. I canât tell if the âSuzanneâ ribbon is for the wedding band that she will receive from Matt, or if it is for the ring she will give to him and thus be wed. I wonder if she wonders that as well, but probably she already knows.
I quickly flick the pillow back onto the table as she enters the room carrying our familyâs grand and heavy silver coffee service, but easily, as if it were made of papier-mâché.
âSure, Suzanne, itâs not that big a deal.â
âIt is to me, considering how we were raised.â Suzanne is using her âI am saying something loving that happens to be true, so donât challenge meâ tone. I suddenly feel exhausted.
âOkay, well, good.â
I push a mountain of tulle aside so she can set the loaded tray down. She has the same expression of determined politeness she had when we played tea party with our dolls as she pours my coffee and hands me the china cup.
âYou know, Suzanne, our parents did show up for usâokay, fine, youâre right, not after Daddy disappeared and Momma wouldnât leave her bedroom. But before thatâthe first fourteen years of my life and, hell, your first eighteenâthey were good parents.â I canât help myself. For years, I have felt like a portable tape recorder whose pause button my sister depressed during the last conversation we had about our parents when I was fourteen and I am sure that my words are picking right up where
Sharon Curtis, Tom Curtis