boast about. Near the top of her class when she entered middle school, by graduation time it would have been easier to count her place from the bottom, and she barely made it into high school. Which is not to say that she was stupid: she just couldn’t concentrate. She could never finish anything she started. Whenever she tried to concentrate, her head would ache deep inside. It hurt her to breathe, and the rhythm of her heart became irregular. Attending school was absolute torture.
Not long after she settled in this new town, she met Keisuke. He was two years older, and a great surfer. He was tall, dyed his hair brown, and had beautiful straight teeth. He had settled in Ibaraki for its good surf, and formed a rock band with some friends. He was registered at a second-rate private college, but hardly ever went to campus and had zero prospects of graduating. His parents ran an old respected sweetshop in the city of Mito, and he could have carried on the family business as a last resort, but he had no intention of settling down as a sweetshop owner. All he wanted was to ride around with his friends in his Datsun truck, surf, and play the guitar in their amateur band— an easygoing lifestyle that anyone could see was not going to last forever.
Junko got friendly with Miyake after she moved in with Keisuke. Miyake seemed to be in his mid-forties—a small, slim guy with glasses, a long narrow face, and short hair. He was clean-shaven, but he had such a heavy beard that by sundown each day his face was covered in shadows. He liked to wear a faded dungaree shirt or aloha shirt, which he never tucked into his baggy old chinos, and on his feet he wore white, worn-out sneakers. In winter, he would put on a creased leather jacket and sometimes a baseball cap. Junko had never seen him in any other kind of outfit. Everything he wore, though, was spotlessly clean.
Speakers of the Kansai dialect were all but nonexistent in this place, so people noticed Miyake. “He lives alone in a rented house near here,” one of the girls at work told Junko. “He paints pictures. I don’t think he’s famous or anything, and I’ve never seen his stuff. But he lives OK. He seems to manage. He goes to Tokyo sometimes and comes back late in the day with painting supplies or something. Gee, I don’t know, he’s maybe been here five years or so. You see him on the beach all the time making bonfires. I guess he likes them. I mean, he always has this intense look in his eyes when he’s making one. He doesn’t talk much, and he’s kind of weird, but he’s not a bad guy.”
Miyake would come to the convenience store at least three times a day. In the morning he’d buy milk, bread, and a newspaper. At noon, he’d buy a box lunch, and in the evening he’d buy a cold can of beer and a snack—the same thing, day after day. He and Junko never exchanged more than the barest civilities, but she found herself drawn to him after a while.
When they were alone in the store one morning, she took a chance and asked him about himself. Why did he come in so often, even if he did live close by? Why didn’t he just buy lots of milk and beer and keep it in the refrigerator? Wouldn’t that be more convenient? Of course, it was all the same to the store people, but still . . .
“Yeah, I guess you’re right,” he said. “It’d make more sense to stock up, but I can’t.”
“Why not?” Junko asked.
“Well, it’s just, like—I can’t, that’s all.”
“I didn’t mean to pry or anything,” Junko said. “Please don’t let it bother you. It’s just the way I am. I can’t help asking questions when I don’t know something. I don’t mean any harm by it.”
Miyake hesitated a moment, scratching his head. Then, with some difficulty, he said, “Tell you the truth, I don’t have a refrigerator. I don’t
like
refrigerators.”
Junko smiled. “I don’t
like
refrigerators myself, but I do
have
one. Isn’t it kind of inconvenient not having