the hours are different from those of the Austrian classes. So many drawings had accumulated by the end of the year that not only the walls but all the cabinets were full of them. The drawings exhibited in the auditorium showed not only foreignness but also the beauties of the host country, which the
natives had often lost their eye for. The school with the color class was in Schallmoos at the other end of town, behind the Kapuzinerberg, and foreign children were sent there from all over the city; one of the pupils had been run over and killed yesterday; it was in todayâs paper. Most of the drawings were about war: Turks against Greeks, Iranians against Iraqis; Yugoslavs against Albanians. While the boy was talking, the child with him picked up a log and fired bursts in all directions.
On their way out, the two of them stopped in the corridor and inserted a coin in the jukebox, which had one record of Macedonian folk music: the café was filled with a melody without beginning or end. And something that had never happened before: the café turned into the garden terrace of a restaurant on the west bank of the Jordan. The terrace was empty except for crackling gusts of sand, the slapping of palm leaves, and the sound of music without beginning or end. Eastward lay the Dead Sea depression; the pregnant woman straightened up in her chair, gathered her long hair together and piled it on top of her head; while the record was playing, she was a woman on the shores of the Dead Sea, an embodiment of the sea itself.
The outer door opened and closed. The adolescent appeared in the cleft between the curtains. Outside, on the embankment, he was holding the wine bottle in one hand and, without wavering, was carrying his uncle piggyback. Resting his log on his carrierâs shoulder, the child aimed into the darkness.
The card players had stopped playing, but remained
seated in the same order. They began to talk quietly among themselves, without shouting or laughing; almost voicelessly. The landlord took the last orders and joined them. One of the players, as I hadnât noticed before, was a woman. The youngest of the men moved closer to her. The three women at the next table had already gone. The little dog had lain down against the table leg and was sleeping. The ventilator on the canal side was whirring. An Asian in an orange plastic cape came in with a bundle of newspapers fresh off the press; a moment later, he had vanished; no one was in a reading mood just then.
Then came a slowdown, which seemed to suit those present; one by one, all made ready to leave, and then suddenly, after a moment of hesitation, they were in no hurry at all. It was an interval of patience, during which even the landlord stopped looking at the clock. The woman, who, apparently out of sorts, had just thrown the cards down in front of the man, began to toy with his shirt collar, and he kissed each one of her knuckles; the others at the table spoke to one another softly and, at most, looked at the couple from time to time, not out of the corners of their eyes but wide-eyed, almost dreamily. The landlordâs wife, who had finished cleaning up, stood in the white light of the open kitchen door; she was wearing high rubber boots. One of the men at the table inspected the palm of his hand, the lines of which were black with soot or oil. Another let out something resembling a yodel; not of joy or sorrow, but of weariness; the weariest of all yodels.
Then all had gone home except the lovers. In the
kitchen, the landlord discussed the shopping for the next day with his wife. In the toilet, a late guest was standing at the washbasin; seen from behind, the chamois beard on his hat wavered, though the man was hardly moving.
Meanwhile, man and woman sat face to face, with a seriousness that gave them Egyptian profiles. The cautious though steady tightening of their enfolding arms suggested slowly closing tendrils. The man touched the womanâs neck
Elizabeth Amelia Barrington