goodnight and reminds me of lights-out, even though itâs a few hours away. He heads down a different hallway, going to the back stairs that lead all the way up to the top floor, where the staff live. Itâs kind of weird to think that so many people live in this one house. The way the mansion is divided and our schedules are made, I only ever see the other students here in passing. The only people I really talk to are Harold, Gwen, Ryan, SofÃa, and our teachers as they rotate from unit to unit. We stay in our one big classroom all day, being served history and math and science, with a sprinkle of how-to-control-your-powers and a dash of try-not-to-explode-everything.
I havenât had control of my powers . . . ever, really. Iâm like someone who never had a real driving lesson but figured out the basics on a flat road on a sunny day. Iâve occasionally beenable to steer my time travel, but when it really matters, like with SofÃa, Iâm behind the wheel in the mountains with ice and fog. I keep skidding off the road, crashing into trees.
Itâs not going to stop me from trying, though. I was so close earlier today. SofÃa was
right there
.
As soon as Iâm in my room, I grab my notebook off my desk and flip it to the pages Iâve been using to record my efforts to save my girlfriend.
Hereâs what I know: SofÃa Muniz, a Latina girl with an accent, dressed in modern clothing, is trapped in the very white, very strict, very conservative world of Puritan colonial Massachusetts, 1692. She also has a habit of turning invisible, and she isnât always able to control when it happens, so Iâm sure the Puritans are going to think thatâs a swell party trick that has nothing to do with the devil. And I put her there, and I canât save her. Every time I get close, I get thrown back to the presentâwithout her.
My eyes scan down the list. Iâve tried to go back to 1692. Iâve tried to go back to just before we left. I quickly add a few notes about todayâthe closest Iâve come to actually seeing her again.
Something was different about today.
I didnât intend to go back to the day she disappeared, but there I was. If I can figure out how I got there, re-create whatever it was I did to end up there . . .
No time like the present to try. I close my eyes, calling up the timestream.
I can feel rather than see all of time stretching out around me. The timestream is made of strings extending out, swirlingaround as if theyâre resting on top of water. There are hard knots at certain pointsâthe points where I am not allowed to go.
Woven through the strings is one bright red threadâSofÃaâs life.
My fingers hover over it, careful not to touch it and pull myself into her past. Not yet, anyway. I can pick out the pattern of her pastâher home in Austin, her family, her friends, the Berk. Me. Her string twirls around mine like an embrace.
And then it shoots backward, violently and sharply, directly into 1692. That spot in history looks like a black hole, far darker than any other spot in the timestream. The end of SofÃaâs string is somewhere in there, disappearing into the void.
Beyond my reach.
I extend my hand toward that spot anyway, hoping that my fingers can feel what my eyes cannot see. I strain to get closer, and sharp pains shoot across my skin like electric bursts. I grit my teeth, ball my hand into a fist, and punch at the inky black vortex.
Bright, vivid flashes erupt into my mindâs eye, speeding from one image to the next so violently that I cannot retain anything more than fragments: an ear with a diamond earring, a tree with new green leaves, the sound of crashing waves, the taste of vomit, the roofline of a house, the smell of smoke, a horseâs whinnying, the feel of another hand in mine, the fingers slipping from my grasp. I cry out in frustration, groping blindly into the
Elizabeth Amelia Barrington