look after people?â
âAlways.â
She turned to grasp the ladder. He helped her lower it to the floor. Her hair brushed his cheek lightly as they moved together, and he had to dismiss the idea of prolonging the moment.
Just get through it, Matt had said. Okay, thatâs what heâd do. Heâd take control of this project instead of reacting to it. And the first step in that direction was to have Toryâs workroom right under his eyes. Of course that meant that Tory herself would be, as well.
He could manage this. All right, he found her attractive. That didnât mean heâd act on that attraction, not even in his imagination.
Chapter Three
âW ell, what do you think? Will this be a comfortable place to work?â
Adam looked at her for approval. Light poured into the large room he called the studio from its banks of windows. On one side Tory could see the salt marsh, beyond it the sparkle of open water. At the back, the windows overlooked a stretch of lawn, then garden and stables. Pale wooden molding surrounded the windows, and low shelves reached from the sills to the wide-planked floor. Anyone would say it was an ideal place to work.
âThis should do very nicely.â She couldnât say that his home had taken her by surprise. This wasnât a houseâit was a mansion. And she didnât want to say that sheâd lived like this once, before her motherâs downward spiral into depression, alcoholism and poverty.
She took a breath. Sheâd been handling those recollections for a long time. She could handle this reminder. Besides, being here was a golden opportunity to find out what she needed to about the Caldwells. She just had to get Adam to open up.
âWhy do you call it a studio?â
He shrugged. âWe always have. My mother used it that way. Dad turned the space into a playroom for us kids after she died.â He pointed to a small easel in the corner, the shelves behind it stacked with childrenâs books, paints and crayons. âJenny likes to paint in here when sheâs in the mood.â
The room seemed uncomfortably full of his family with one notable exception. He hadnât mentioned his wife. âWas your mother an artist?â
âShe painted, did needlework, that kind of thing.â Sadness shadowed Adamâs face for a moment. âI can remember her sitting in front of the windows with some project on her lap. She died when I was eight.â
âIâm sorry.â Tory had been five when her father died. She hesitated, torn. If she told Adam about it, that might create a bond that would encourage him to talk, but she didnât give away pieces of herself that easily.
She walked to the long table that held the first of the panels theyâd removed from the church that morning. Everything sheâd asked for was here, ready and waiting for her. She longed to dive into the work and forget everything else. If Adam would leaveâ
âWhat about you?â Adam leaned his hip against the table, crossing his arms, clearly not intending to go anywhere at the moment.
She looked at him blankly, not sure what he meant by the question.
âFamily,â he added. âYouâve met Jenny and my grandmother, heard about my mother. What about your family?â
It was the inevitable question Southerners put to each other at some point. Sheâd heard it before, phrased a little differently each time, maybe, but always asking the same thing. Who are your people? That was more important than what you did or where you went to school or even how much money you had. Who are your people?
âIâm alone.â That wouldnât be enough. She had to say more or heâd wonder. âMy father died when I was quite young, and my mother last year. I donât have any other relatives.â At least, not any relatives that would like to claim me.
âIâm sorry.â Adamâs eyes darkened