posing as Jacques Snicket. When the three children were all wearing their uniforms, they walked back to the edge of the pond and put on the last part of their disguises: three enormous pairs of sunglasses, reminding them of a disguise Count Olaf had worn when pretending to be a detective. The sunglasses were so large that they covered not only their eyes but a great portion of their faces, Klaus could even wear his regular glasses underneath them without anyone noticing. As they gazed through the sunglasses at their own reflections, they wondered if the disguises were enough to keep them out of the hands of the authorities long enough to solve all the mysteries that surrounded them, and they wondered if it was true what Kit Snicket had said, that they weren't children anymore, but volunteers ready to face the challenges of a desperate and perplexing world. The Baudelaires hoped so. But when Violet took the stone in her gloved hand, and threw it out into the middle of the pond, they wondered if their hopes would sink in the same way. They watched as the surface of the pond rippled, disrupting the reflection of the hotel. The children watched the shingles of the roof turn into a blur, and they watched the word "Denouement" disappear as if it were written on a piece of paper someone was crumpling in their hand. They watched each row of windows melt together, and they watched all the flowers and moss dissolve into nothing as the stone sank deeper and deeper into the pond, and the circular ripples spread further and further across the reflection. The Baudelaire orphans watched this reflected world disappear, and wondered if their hopes would also disappear, into the strange, rippling world of the Hotel Denouement and eht lla .edisni dppb yal that srerces dna seiretsym.
Chapter Three
There are places where the world is quiet, but the enormous lobby of the Hotel Denouement was not one of them. On the day the Baudelaires walked up the stairs through the white fog from the funnel and entered the large, curved archway marked ECNARTC, or when reflected in the enormous pond, entrance, the lobby was bustling with activity. As Kit Snicket had predicted, the Baudelaires were able to pass unnoticed in the hotel, because everyone was far too busy to notice anything. Guests were lined up in front of a huge reception desk, which for some reason had the number 101 emblazoned on the wall above it, so they could check into the hotel and go to their rooms to freshen up. Bellboys and bellgirls were loading piles of luggage onto carts and rolling them toward the elevators, which for some reason had the number 118 emblazoned on their doors, so they could drop off the suitcases in the guests' rooms and collect their tips. Waiters and waitresses were bringing food and drink to people who were sitting on the chairs and benches of the lobby, waiting for refreshment. Taxi drivers were ushering guests into the lobby to join the line, and dogs were dragging their owners out of the lobby to take walks. Confused tourists were standing around looking quizzically at maps, and rambunctious children were playing hide-and-seek among the potted plants. A man in a tuxedo was sitting at a grand piano emblazoned with the number 152, playing tinkly tunes to amuse anyone who cared to listen, and members of the cleaning staff were discreetly polishing the green wooden floors etched with the number 123, for anyone who cared to see their feet reflected with every step. There was an enormous fountain in one corner of the room, releasing a cascade of water that ran over the number 131 in a shiny, smooth wall, and there was an enormous woman in the opposite corner, standing under the number 176 and shouting a man's name over and over in an increasingly annoyed tone of voice. The Baudelaires tried to be flaneurs as they walked across the chaos of the lobby, but there was so much to observe, and all of it was moving so quickly, that they wondered how they could even get started
Johnny Shaw, Matthew Funk, Gary Phillips, Christopher Blair, Cameron Ashley