tangled ribbons. For a moment, she was numb, trying to deflect the emotions converging upon her with the force of a battering ram.
Wakefield House was the only point of advantage she had against her father, the only thing she possessed that Lord Fairfax wanted. The financial obligations of Manley Park, including a new studhorse and the cost of a new wing he’d added onto the house, as well as the mortgages of his other properties, had left him facing bankruptcy.
If Wakefield House were transferred to his name, Fairfax could then sell it and use the funds to settle some of his debts. But the terms of the trust forbade Clara from either selling or signing over the property to anyone, which meant she could not offer it to her father with the proposal that he relinquish custody of Andrew in exchange.
Now the courts had made the terms of the trust inviolable.
Regret…apologies….regret…no further recourse…
Clara’s heart was crushed like a piece of paper. Anguish roiled through her. The clock chimed. She clenched her hands as a gleaming image of her son rose through her despair.
She had to think of another strategy to get him back. She had no other choice. There would never be another choice except to fight and fight and fight again.
Her father’s soul had twisted long ago like tangled ivy choking the breath from a tree. And if Clara didn’t do something now, Fairfax’s grip would suffocate both her and her son.
Sebastian stepped from the carriage in front of Blake’s Museum of Automata. He hadn’t expected that helping Darius locate the plans for some incomprehensible machine—plans purported to be at this museum—would mean an excuse to see Clara Whitmore again. That alone lent his task a new and welcome sense of purpose.
Anticipation flickered to life in him as he thought of his encounter with her two nights prior. He couldn’t ask her outright about the machine plans that Darius sought, but perhaps he could convince her to reveal what she knew.
If anything.
Even if his efforts came to naught, the moment to approach her could not have been better—she knew him from her past, and he might see her again at Lady Rossmore’s ball. Like a cat seeking entry into a garden mouse hole, all he needed to do was paw at the opening until it widened just enough.
A fence wrapped around the front garden of what appeared to be a former town house. Wrought-iron balconies and pedimented windows perforated the façade of the building, and a crooked metal sign hung on the fence proclaiming the museum’s hours.
Sebastian knocked on the door and waited, hunching his shoulders against the cold morning drizzle. He knocked again, louder. He checked his pocket watch, then turned the door handle and stepped inside.
A single light glowed in the foyer, illuminating a long desk covered with papers. The doors to what had once been the dining and drawing rooms stood open. Mechanical toys, boxes, and clock parts cluttered the tables and shelves along with an array of tools—saws, chisels, planes, hammers—and limbs of porcelain dolls and animals.
Eerie place with its dismembered dolls, twisted bits of metal, and frayed wires. Dirty windows. Faded wallpaper, peeling paint. Musty smell, greenish brown like decaying moss.
Not wanting to hear the sound of his own voice in the silence, Sebastian ventured farther. Another door stood open at the end of a corridor, spilling light onto the worn carpet. Placing his hand on the door, he pushed it open.
And stopped. Sunlight bloomed through the vast windows of what must have once been the music room. Tables were strewn with brilliant fabrics—green silk, red velvet, blue satin. Ribbons and gold braid cascaded from their spools, spilling onto the floor in colorful puddles. Paintbrushes, wires, balls of thread, and pots of paint cluttered a shelf, along with feathers, flowers, bits of tulle and gauze, garlands.
In the midst of this bright wonderland, Clara Whitmore sat, her dark