carried the manuscript from London to New York—hoped that a “writer so socially acceptable” could lend “establish-mentarian backing for the first homosexual love story with a happy ending.”
This abjuring of their special status marked a completion of Isherwood’s and Lehmann’s own journeys as well. Decades before, they were young gay men galvanized by the passion and honesty of Morgan’s declaration that “there can be real love, love without limits or excuse, between two men.” Forster—a generation older—had always seemed irredeemably older than they were. Now they were sixty-six and sixty-four. They had caught up with him; they, too, had become old. Christopher rose from the desk and gazed across the room at the opposite wall crammed with books. There were dozens of books about Morgan. He was thinking about the future. His expression triumphant, he turned back to John. “Of course all those books have got to be re-written,” he said. “Unless you start with the fact that he was homosexual, nothing’s any good at all.”
Even Christopher didn’t know how many more secret manuscripts there were than the few he leafed through on that November day almost thirty-five years ago. Though he burned great bonfires of ephemera, Morgan carefully preserved the record of his gay life. Thousands of unpublished pages of letters, diaries, essays, and photographs tell the story of the life he hid from public view. Some of the pages are scattered in archives. Some have been coaxed out into the world from remarkable hiding places—a vast oak cupboard in a London sitting room, a shoebox humbly nestled among mouse turds in a New England barn. Many of Morgan’s surviving friends have told their stories for the first time. Only in 2008 were the final entries in his private diary, restricted from view since his death, opened to readers. All his long life Morganlived in a world imprisoned by prejudice against homosexuals. He was sixteen when Oscar Wilde was sent to prison, and he died the year after the Stonewall riots.
Almost a century ago, Forster dedicated
Maurice
to “a happier year.” Perhaps that time is now.
PART ONE
Becoming a “Grown Up Man”
1
“A Queer Moment”
It was just Lily and Morgan. This had not been the plan.
Alice Clara Whichelo, known as Lily, married a marvelous young architect after an eight-week engagement when she was twenty-one. Edward Morgan Forster was the son of a clergyman. Lily and Eddie settled near Dorset Square in London, a few blocks from the rose gardens of Regents Park—a fine place for a young couple to start a family, and far enough away from Eddie’s imposing relatives at Clapham to give them breathing space. It was January 1877. Eddie was twenty-nine, and a bit slow to get on his feet professionally. Coming down from Trinity College, Cambridge, he had taken a slightly crooked path, inching away from filial expectations that he become a vicar. He was just starting his career, and his family buoyed up the young people financially. His sister Laura, having inherited some money, commissioned him to draw up plans for a fine brick country house in Surrey.
Lily didn’t know it, but her husband’s commission of Laura Forster’s West Hackhurst house would be the zenith of her happiness and security for a long time. She was pregnant within weeks of her wedding but their baby was stillborn. So ended the first year of her marriage. The next spring, almost before she had time to breathe, Lily was pregnant again. In the brief time before it would be unseemly for Lily to be seen traipsing about in public, Eddie took her to France to widen her horizons. His formidable “Aunt Monie”—the family matriarch who financed the trip—found the chaperoning arrangements rather unorthodox: “no Lady companion” for Lily unless one counted Eddie’s university friend Ted Streatfeild, who accompanied the couple on their belated honeymoon. Streatfeild,