palace and court within the complex at Malkata; and the people, understanding, seem to give her extra love whenever she appears—a small, bright, cheerful symbol of the strange contortions the needs of the throne sometimes impose upon the rulers of our strange land.
At her side today stands Gil-u-khi-pa of Mittani, a bride of state married for political reasons by Pharaoh a couple of years ago in his tenth regnal year. He issued a commemorative scarab about it, recounting how she arrived with “a retinue of 317 women.” Many of these have been quietly married off to deserving nobles around the country. Gil-u-khi-pa also has been given her own palace within Malkata, but apparently, aside from an occasional rumored visit, as perfunctory as any he makes to the countless anonymities in his official harem, Pharaoh never goes near her.
This would fully suit a stupid woman, but Amonhotep tells me that Gilukhipa is not stupid. Instead, she is quite intelligent, alert, informed.
Official neglect therefore has made her jealous, turned her inward, made her bitter, waspish, vindictive. There is no sharper tongue in all Kemet, my friend tells me, than Queen Gilukhipa’s.
“Stay wide of Gilukhipa unless you can use her to advance your own ends,” he said the other day—a rather odd comment, since if I have “ends,” at this point, he seems to be more conscious of them and more knowing about them than I am—“and if you do use her, be very sure you never give her anything she can hold over you. Because she certainly will.”
I don’t know what prompted his warning, but of course as with all I learn, I shall not forget it.
Now she rides along in the second royal barge beside little Sitamon, the latter’s popularity concealing Gilukhipa’s lack of it: the shouts seem to rise equally for them both, which is probably why Pharaoh decided they should ride together. It is obvious to Amonhotep the Scribe and to me that she knows this exactly and is, therefore, probably even more embittered than usual. Her back seems extra rigid, her eyes exceptionally fierce, her demeanor more than necessarily stern and aloof. It is not until their barge is nearing shore that she shows the slightest sign of human feeling. At that point Sitamon looks up at her, tugs excitedly at her hand, points at the great snakelike crimson and gold flags snapping from their standards all around the temple, and says something with an eager, delighted grin. Not even Gilukhipa can resist Sitamon, and for a second she smiles back, reaching down with a perfectly natural gesture to adjust the child’s gold circlet with uraeus, which has slipped a bit to one side. The crowd rewards them with an extra roar. As if in reproval, Ramose greets them with an extra solemnity. They both become suitably severe again, walk together hand in hand down the glaring empty avenue, are met in their turn by the priests of Amon, and disappear inside the vast stone structure.
From up the river comes another welcoming roar, and for a moment Amonhotep the Scribe and I speculate as to who it can be. The ranks of the House of Thebes are rather thin, at the moment: Pharaoh has his mother, no brothers, and sisters, Tiye so far has produced only two children, and all in all it is rather a shaky house. Tiye’s delivery later today (it is generally understood that she began labor just before noon, and is progressing well: how these rumors sweep through a crowd no one knows, but they do, and with an air of great authenticity, too) is expected to add one more son. But it will be several years more before the Good God can feel really secure in the midst of an abundant family. So who can this be coming now?
For just a moment Amonhotep and I speculate, though we know it cannot be so: can this be the Crown Prince, Tuthmose, named for his late grandfather Mutemwiya’s husband Tuthmose IV (life, health, prosperity!), and the other three brilliant Tuthmoses who preceded him?
The Crown Prince is six