Antelope Island, which floated above its reflection, a symmetrical solid object like a precious stone, floating in that blue. Miles and miles of what had not long ago been lake had become a puzzle-patchwork of shallow pools and damp and dry sand, shallow lagoons of clear water, long fingers of sand that stretched toward the island and its reflection in the deeper blue water beyond. Sometimes the sandbars ended in water and I had to find another way forward, but I could more or less walk directly toward the island for the miles and hours I was out. I walked across ground that was sometimes ribbed sand, sometimes smooth, that sometimes caved in underfoot, as though there were pockets of air underneath, that sometimes squelched so that my footprints were surrounded by paler sand where the water had been pressed away by my weight. With that long line of footprints unfurling behind me, I couldn’t get literally lost but I lost track of time, becoming lost in that other way that isn’t about dislocation but about the immersion where everything else falls away.
Sometimes there were small sprays of brown oak leaves on the ground, though there were no trees anywhere within sight and shore was far away. Sometimes sodden crumpled clots of feather and bone that had once been birds sat on the strand. How the leaves arrived, how the birds died, was unfathomable, that word meaning depths that cannot be plumbed. Behind me etched high into the rocks and mountains beyond the Great Salt Lake was the waterline of Lake Bonneville, which had been so much bigger, so much deeper, long ago in a wetter era on earth, when redwoods grew in Arizona and Death Valley was likewise a lake. Ten thousand years or more have passed since that lake ceased to exist, but its ring all around the landscape insisted that where I walked was once deep underwater, just as the flotsam and soft sand reminded me that not so long ago I could have rowed or swum where I was walking. This was new land, temporary land, that would be drowned in winter, and years might pass before it would be walkable again, or centuries. Antelope Island, golden in the harsh light, would get larger and clearer as I walked but always remain ahead like a dream or a hope. The water that remained was pale blue and on that scorching October afternoon a pale sky met it far away, the distinction between water and air hard to make out.
Lost in the walking that set me loose in the moorings of time, I thought of the talk I had given in Salt Lake City. To try to describe the profundity of change we fail to register, I had told a story from another lake, from Lake Titicaca in Bolivia. When I was two, we lived in Lima, Peru, for a year, and all of us, mother, father, brothers, and I, went up into the Andes once, and then sailed across Lake Titicaca, from Peru to Bolivia. Lake Titicaca, one of those high-altitude lakes, Tahoe, Como, Constance, Atitlán, like blue eyes staring back at the blue sky.
One day a few years ago my mother took out of her cedar chest the turquoise blouse she bought for me on that trip to Bolivia, a miniature of the native women’s outfits. When she unfolded the little garment and gave it to me, the living memory of wearing the garment collided shockingly with the fact that it was so tiny, with arms less than a foot long, with a tiny bodice for a small cricket cage of a ribcage that was no longer mine, and the shock was that my vivid memory included what it felt like to be inside that brocade shirt but not the fact that inside it I had been so diminutive, had been something utterly other than my adult self who remembered. The continuity of memory did not measure the abyss between a toddler’s body and a woman’s.
When I recovered the blouse, I lost the memory, for the two were irreconcilable. It vanished in an instant, and I saw it go. Sometimes you hear of murals and miraculously preserved bodies buried, sealed, protected from light for hundreds or thousands of years. Exposed to