blame him,â Truly says. âIâm glad it was you and not me found that rattler. You know I hate snakes.â
âI know you do, and I canât say I was too fond of this one myself.â
âWhatâd you do with the carcass?â
âI hung it on the fence.â
âGood. Iâll take it to a lady I know who makes things with snakeskin. How about lye soap? Did you put some in the stall?â
âIâll take a bar over there now.â
I donât really believe in the old tale that says where thereâs one snake thereâs two and that a bar of lye soap will keep the second one away. But it canât hurt to put the soap out. I take the pitchfork and toss the straw in the stall around to make sure there are no more surprises.
When Truly arrives we coax Mahogany into the stall. Between the cut lock and the timber rattler thatâs out of its territory, I canât help wondering if somebody has it in for these horsesâsomeone who knows how much Jenny cares for them.
CHAPTER 6
Iâm glad that Truly is spending the night with the horses so I donât have to worry about them and can get a good nightâs sleep. Early the next morning I get a call from a jogger who says that Ellen Foresterâs art gallery has been vandalized. I call her and she says sheâll meet me there.
Sheâs there when I arrive, standing in front of the store with the look of someone who has been punched in the stomach. Her face is splotchy from crying, although sheâs dry-eyed now. Sheâs pretty, even with the traces of tears on her face and no makeup. Sheâs wearing jeans and an oversized shirt that makes her look even more petite than she is.
Hands on our hips, we survey the considerable damage to the front of the building. The big picture window that displays art has been smashed, and a couple of the paintings near the window have big splashes of red paint on them. The door and front of the building are also splashed with paint.
âThis makes me so mad,â Ellen says. âI can hardly stand to look at it. Why would anybody be so mean?â
âYou have insurance, right?â
She looks up at me, her dark eyes angry. âOf course, but itâs got a high deductible. Thatâs not the point anyway. The window can be replaced, but people have worked on those paintings, and even though they may not have any monetary value, theyâre important to somebody.â She surveys the damage again. âWhatâs the chance of catching whoever did it?â
âIâm not going to lay any odds, but youâd be surprised how one thing leads to another and before you know it . . .â I shrug and then try to lighten her mood. âAnd itâs always possible that someone will get a guilty conscience and tattle.â
She smiles. âYouâre thinking it might be teenagers?â
âIt is that time of year.â Itâs prom, finals, and graduation in rapid succession. Kids get amped up, and thereâs no telling what they will get up to. But thatâs not actually who I think is likely to have done this. The damage to the window is so thorough that it has to have been more than somebody randomly throwing a rock from a car. It looks like somebody took a hammer and smashed out as much of the window as he could reach. âYou got any other ideas. Had any threats?â
She shakes her head, eyes narrowed. She knows what Iâm referring to.
âCould this be the work of your husband?â
â Ex -husband! I swear Iâm going to convince everybody to call him that. And thereâs no reason he would do something so low.â
A crowd is forming, courtesy of Jarrett Creekâs lively grapevine, all angry at the destruction. The gallery hasnât been open that long, but it already has a following of would-be artists who jumped at the chance to take classes from Ellen. Many of them huddle around her,