A Canticle for Leibowitz Read Online Free PDF Page B

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    When Brother Francis had removed the last tray, he touched the papers reverently: only a handful of folded documents here, and yet a treasure; for they had escaped the angry flames of the Simplification, wherein even sacred writings had curled, blackened, and withered into smoke while ignorant mobs howled and hailed it a triumph. He handled the papers as one might handle holy things, shielding them from the wind with his habit, for all were brittle and cracked from age. There was a sheaf of rough sketches and diagrams. There were hand-scribbled notes, two large folded papers, and a small book entitled Memo.
    First he examined the jotted notes. They were scrawled by the same hand that had written the note glued to the lid, and the penmanship was no less abominable. Pound pastrami, said one note, can kraut, six bagels,-bring home for Emma. Another reminded: Remember-pick up Form 1040, Uncle Revenue. Another was only a column of figures with a circled total from which a second amount was subtracted and finally a percentage taken, followed by the word damn! Brother Francis checked the figures; he could find no fault with the abominable penman’s arithmetic at least, although he could deduce nothing about what the quantities might represent.
    Memo, he handled with special reverence, because its title was suggestive of “Memorabilia.” Before opening it, he crossed himself and murmured the Blessing of Texts. But the small book proved a disappointment. He had expected printed matter, but found only a hand-written list of names, places, numbers and dates. The dates ranged through the latter part of the fifth decade, and earlier part of the sixth decade, twentieth century. Again it was affirmed!-the contents of the shelter came from the twilight period of the Age of Enlightenment. An important discovery indeed.
    Of the larger folded papers, one was tightly rolled as well, and it began to fall apart when he tried to unroll it; he could make out the words RACING FORM, but nothing more. After returning it to the box for later restorative work, he turned to the second folded document; its creases were so brittle that he dared inspect only a little of it, by parting the folds slightly and peering between them.
    A diagram, it seemed, but-a diagram of white lines on dark paper!
    Again he felt the thrill of discovery. It was dearly a blueprint!-and there was not a single original blueprint left at the abbey, but only inked facsimiles of several such prints. The originals had faded long ago from overexposure to light. Never before had Francis seen an original, although he had seen enough hand-painted reproductions to recognize it as a blueprint, which, while stained and faded, remained legible after so many centuries because of the total darkness and low humidity in the shelter. He turned the document over-and felt brief fury. What idiot had desecrated the priceless paper? Someone had sketched absent-minded geometrical figures and childish cartoon faces all over the back. What thoughtless vandal-
    The anger passed after a moment’s reflection. At the time of the deed, blueprints had probably been as common as weeds, and the owner of the box the probable culprit. He shielded the print from the sun with his own shadow while trying to unfold it further. In the lower right-hand corner was a printed rectangle containing, in simple block letters, various titles, dates, “patent numbers,” reference numbers, and names. His eye traveled down the list until it encountered:
    “CIRCUIT DESIGN BY: Leibowitz, I. E.”
    He closed his eyes tightly and shook his head until it seemed to rattle. Then he looked again. There it was, quite plainly:
    CIRCUIT DESIGN BY: Leibowitz, I. E.
    He flipped the paper over again. Among the geometric figures and childish sketches, dearly stamped in purple ink, was the form:

    The name was written in a clear feminine hand, not in the hasty scrawl of the other notes. He looked again at the initialed