same size as the lid. When he turned his face my way it was dark, indistinguishable; his back and shoulders were carving up strips of light, carving them this way and that as he twisted and bobbed. The water was dark, opaque, but it caught the sun's gold light, the waves dragon scales writhing under a sainted knight's halo. At last Kevin swam up beside me; his submerged body looked small, boneless. He said we should go down to the store and buy some Vaseline.
"But we don't really need it," I said.
"Let's get it."
In the distance two gray-mauve clouds, like the huge rectangular sails of caravels, hung darkly, becalmed, immanent, behind mist. Kevin's lips were blue and he was covered with goose bumps as he vaulted up onto the dock. His legs were smooth except for the first signs of hair above his ankles (the first place an old man's legs go bald). He dried himself and put on a shirt. We took the outboard to the village. I went into the store with him, though I made him ask for the Vaseline. I was blushing and couldn't raise my eyes. He pulled it off without a trace of guilt, even asked to see the medium-size jar before settling for the small one. Outside, a film of oil opalesced on the water under a great axle of red light rolling across the sky from azimuth to zenith. That little round jar of grease would be a clue for my father or his to find. Worse, it was the application of method to sex, the outward betrayal of what I wanted to consider love, the inward state. At last the sun went down and the lake seemed colder and bigger and the two of us seemed bereft.
That night the two families, all of us, went out to dinner at a restaurant thirty miles away, a place where the overweight ate iceberg lettuce under a dressing of ketchup and mayonnaise, steaks under A.1. Sauce, feed corn under butter, ice cream under chocolate, where a man wearing a black toupee and a madras sports jacket bounced merrily up and down an electric organ while a frisky couple lunged and dipped before him in cloudy recollections of ancient dance steps. The waitress was at once buddy ("How we doing here?") and temptress ("C'mon, go on"). She had meticulously carded bronze hair, an exuberant hankie exploding above a name tag ("Susie"), a patient smile and, hanging on a chain, lunettes that she wore only when writing an order or totaling the check. In one corner a colorful canopy hung over a round bar, just so the whole place could be called "The Big Top." No one was sitting at the bar. On its tiered glass shelves, lit from below, stood rank after rank of liquor bottles, soldiers at attention and glowing with fiery spirits from within. Everything smelled of the kerosene heater and the pine-scented Airwick wafting out of the toilets. Except for the circus theme, the dominant motif seemed to be hunting, demonstrated by the rifles and glassy-eyed, dusty-antlered deer heads on the wall.
The place was smelly and oppressive, but the grown-ups, their tongues loosened by martinis, settled in for a long stay. The two women, seated next to each other, talked Paris fashions and assured each other no one would wear the Parachute. Mr. Cork, more Republican than the republic, was discerning a Communist conspiracy in every national mishap. I could see my father wasn't convinced, least of all by Mr. Cork's ardor; Dad took off his glasses, rubbed his eyes and nodded rhythmically through the harangue, his polite way of shielding himself from a loudmouth, of immigrating inward. Little Peter had turned a celery stalk from the relish tray into an Indian canoe and Kevin was sniping at it from the chalky promontory of a flour-dusted dinner roll; the massacre was carried out in whispered sound effects. "Kevin O'Malley Cork, how many times must I tell you not to play with your food!" "Aw, Maw."
On and on the meal devolved. The organist's pale forehead glittering under his black wig, his teeth bared, he moved from a pathetic "Now Is the Hour" with copious vibrato into a