opened and he saw Reilly stare up at him through the gloom.
3
The Girl on the Night Mail
âA man canât help feeling attached to a place,â Mr Gilchrist began, and spoke to the rhythm of the sulkyâs lurching, âwith all the work Iâve put into it, and grandpa too. Yâsee that old box tree? There was a swarm of bees there last spring.â Walter saw six trees at once, but Douggie piped a muffled âI canâ from his pile of blankets. âWally, when Pa started it was just for the stock. Then me. I was part of the place. We knew the blacks here for a bit. They camped on this corner. Now how come you feel like you do, and want to get off what weâve made? The bank owns a lot of the places around here. But not us. Theyâd need a hundred bullocks to root me out.â
Walter grasped at the similarity: âItâs the same for me.â
âThen whatâs all the carry on?â
âDad,â and he risked the truth, silly as it sounded: âThe difference is I could go away, and still be like you.â
âI canât spot that. No sir.â His father turned to him in the dark, bitter tobacco and the warm stink of spittle forcing Walter to gulp a quiet breath and hold it. âThe point is youâve got to go on a bit. How old are you now? Ideas are all right, but work,â he concluded, âit brands something in that wasnât there. Or brands it deeper if it was. You have to find out for sure. What doyou say? Your mother says yes to the university, yâknow. But not yet. We want to give Douggie a couple more years away at school. Two or three, then if youâre still in the same frame of mind you can go off. Thatâs fair.â
At the station Douggie called: âHey! Thereâs Billy.â
Under the station lamps Walter felt exposed: he had none of the grit of his old man.
âI wonât wait. I know youâll do well. Behave yourself on the train, boy.â
Well, thatâs ended, Walter thought. He thudded the cases to the ground, the sulky grated off into darkness, and Billy whistled him over.
âBack to school with the kid, I see.â
âHeâs on his own from now on,â said Walter, thrusting his brotherâs case into his hand and giving him a push past Ozzie Deep at the ticket barrier.
Billyâs riding boots were polished like apples. He wore a dark jacket and freshly-laundered moleskins.
âI thought you were fetching sheep?â
âGot âem. Iâve only just cleaned up.â Billy extended white scrubbed hands, which were trembling.
Ozzie Deep the porter punched Walterâs ticket with scrupulous slowness, saying âOiâ and sparring with his ticket punch at the ready when Walter tipped his cap over his eyes â an exchange carried through ritually at the end of every holiday. Away from Ozzie, Billy suddenly became agitated, guiding Walter past the crowd and nudging him into a cul-de-sac of wicker baskets.
âWally,â he looked around for eavesdroppers, âthereâs a Mick girl on the train going back to school. Will you do something for me? Willya? When the bloody train gets in Iâll introduce you.â He cleared histhroat. âThis is the drill: when you get on the train ask her if she likes me.â
âWho says sheâll even talk to me?â
Suddenly the train hissed and clanked along the platform. Billy shouted: âWhen you get to Sydney write me a bloody letter. If she donât shape up, I wonât care!â
The fireman on the footplate stared at him. A carpet of steam rose from the platform, warming them, clinging like cotton to their clothes, leaving them damp and chilled.
Walter saw her first, from behind. How did he know for sure? He knew .
âThatâs her,â said Billy.
The train was still moving, but the girl stepped to the platform and ran a couple of feet before slowing to a walk. When she turned